In a Station of the Metro
The apparition of these faces in the crowd;
Petals on a wet, black bough.
Are you alive?
I touch you.
You quiver like a sea-fish.
I cover you with my net.
What are you—banded one?
Winter is here, with holidays and frozen toes, with endings and beginnings.
The days are short. The nights are long. The air is cold. Good time to light a candle.
Here are are some poems, offered for your winter enjoyment by The Academy of American Poets.
- "Those Winter Sundays" by Robert Hayden
- "Fishing in Winter" by Ralph Burns
- "splitting firewood on a winter afternoon" by Ben Shane
- "Winter: My Secret" by Christina Rossetti
- "Cut Off the Ears of Winter" by Peter Covino
- "A Winter Blue Jay" by Sara Teasdale
- "The Snow Man" by Wallace Stevens
- "Winter Poem" by Robert Bly (video)
- "Winter Field" by Joanna Klink (audio)
- "Lines for Winter" by Mark Strand (audio)
Scroll down and read about the poet. Be sure to check the "Related Poems" links on each page.
And check out the following topics:
An epigraph is a short quotation placed at the start of a poem to help set the tone and focus your efforts. Almost anything can work if you find it inspiring: a quote from another poet, a few sentences from a news article, a memorable phrase spoken by a friend, a saying from Poor Richard's Almanack.Read more ...
The word "poet" derives from ancient Greek, where it meant "to make." Before people wrote, they made poems. And still today, people who don't write, make poetry. Even more fundamentally than a writer, then, a poet is a maker, an inventor — in language.Read more ...
A poem's form is partly visual: its look on the page. George Herbert's "Easter Wings" is an example of striking visual form, as is e. e. cummings' "r-p-o-p-h-e-s-s-a-g-r." But visual form also works in less obvious ways. The lean, spare look of most Emily Dickinson poems complements her terse style, while the long, sweeping lines of Walt Whitman accentuate his bold, expansive message.Read more ...